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1. cannes has a dirty underbelly
big and brassy! paul mccartney (yes, yes, and also wings) ushered in a new era of james bond movies with the theme to live and let die, sending the series careening into a 1970s musical sound as the franchise rebranded itself with a new leading man, roger moore. this is an almost maniacally excited song. the melody shifts and spirals and builds and sinks and hardly gives the listener a chance to get their bearings. it's a thrill.
the drama won much praise for its use of slow motion when shooting martial arts.
seoul insists the activists have a democratic right to send the leaflets, but has appealed for restraint to avoid overly provoking the north.
the film pulls heavily from the life of arthur bremer, who shot presidential candidate and segregationist george wallace in 1972. similarly to his film counterpart, bremer shot wallace shortly after being rebuffed by a young girl. overall, though, his life was much less exciting than that of de niro's character, with the biggest commonality between the two being that neither actually succeeds in killing a politician.
the announcement comes from the british fashion council (bfc), who surveyed designers ahead of the shows and found none of the 80 designers in the september line-up would be using fur.